Sherman Alexie’s darkly humorous story collection weaves memory, fantasy, and stark reality to powerfully evoke life on the Spokane Indian Reservation.
The twenty-four linked tales in Alexie’s debut collection—an instant classic—paint an unforgettable portrait of life on and around the Spokane Indian Reservation, a place where “Survival = Anger x Imagination,” where HUD houses and generations of privation intertwine with history, passion, and myth.
We follow Thomas Builds-the-Fire, the longwinded storyteller no one really listens to; his half-hearted nemesis, Victor, the basketball star turned recovering alcoholic; and a wide cast of other vividly drawn characters on a haunting journey filled with humor and sorrow, resilience and resignation, dreams and reality. Alexie’s unadulterated honesty and boundless compassion come together in a poetic vision of a world in which the gaps between past and present are not really gaps after all.
The basis for the acclaimed 1998 feature film Smoke Signals,the Chicago Tribune noted, “The Lone Ranger and Tonto Fistfight in Heaven . . . is for the American Indian what Richard Wright’s Native Son was for the black American in 1940.”
The collection received a Special Citation for the PEN/Hemingway Award for Best First Fiction.
This ebook edition features a new prologue from the author, as well as an illustrated biography and rare photos from Sherman Alexie’s personal collection.
Stories
"Every Little Hurricane"
Victor remembers the hardships of his childhood in the Spokane Reservation, particularly on his ninth year's New Year's Eve party at his parents' home.
"A Drug Called Tradition"
Victor remembers the drug-influenced bouts he and his friends had shared in their wild youths, and the romantic dreams about the Indians' "good old past", but soberly realizes that the dreams of either the past or the future are not what life is about.
"Because My Father Always Said He Was the Only Indian Who Saw Jimi Hendrix Play The Star Spangled Banner at Woodstock"
Victor reminisces about the few good memories he had of his father before he deserted his family.
"Crazy Horse Dreams"
Victor fails to meet a woman's image of the ideal Indian hero.
"The Only Traffic Signal on the Reservation Doesn't Flash Red Anymore"
Victor and Adrian discuss the rise and fall of their reservation basketball heroes and the dreams that they carried for their tribemates.
"Amusements"
Victor remembers a trip to the carnival with his friends Sadie and Dirty Joe, and their attempts to indulge in white man's pleasures and thus to cast aside their Indian identity.
"This Is What It Means to Say Phoenix, Arizona"
After Victor's father has died, Victor travels to Phoenix to collect his father's remains with the help of Thomas Builds-the-Fire. During their journey, Victor learns to his immense surprise that he and Thomas, as different as they are, have actually a lot more in common than he could have imagined.
"The Fun House"
A woman, frustrated by her husband and son, swims in a creek near her house and remembers meeting her husband and the birth of her son.
"All I Wanted to Do Was Dance"
Victor recounts several memories on the reservation.
"The Trial of Thomas Builds-the-Fire"
Because of his tendency to tell uncomfortable truths about the doings of the local Bureau of Indian Affairs and corrupt tribesmen, Thomas is brought before a court, where his compulsive story-telling earn him both a ridiculous verdict and the audience he has long sought.
"Distances"
An outlook on what the Indians would behave like if the white man had been eradicated from their ancient lands by some cataclysm and they would return to their traditions of old.
"Jesus Christ's Half-Brother Is Alive and Well on the Spokane Indian Reservation"
The narrator gives account, year by year, of raising Rosemary MorningDove and Frank Many Horses' son James.
"A Train Is an Order of Occurrence Designed to Lead to Some Result"
Samuel Builds-the-Fire, Thomas's grandfather, loses his job on his birthday, reminisces about his storytelling past, and finally, consumed by despair, lays his head in the path of an oncoming train.
"A Good Story"
A story within a story. The narrator, Junior, tells a story to his mother about a man named Uncle Moses telling a story to a young boy named Arnold.
"The First Annual All-Indian Horseshoe Pitch and Barbecue"
Gives account of several different events taking place on The First Annual All-Indian Horseshoe Pitch and Barbecue.
"Imagining the Reservation"
A collection of reflections on the importance of imagination for Indian survival.
"The Approximate Size of My Favorite Tumor"
James Many Horses learns he is dying of cancer and reflects on the history of his marriage to his wife, Norma, who at first does not understand his humorous attitude in the face of his looming demise.
"Indian Education"
Grade by grade Victor remembers his education.
"The Lone Ranger and Tonto Fistfight in Heaven"
Caught up in his daily frustration, the unnamed first-person narrator remembers the part of his life when he was living with a white woman and living a life outside the reservation and his Indian self.
"Family Portrait"
Narrator, Junior, discusses several themes of portraits, perspective and memory. What we say versus what we mean. How perspective shapes memory and significance.
"Somebody Kept Saying Powwow"
An ode to Norma. Narrated by Junior.
"Witnesses, Secret and Not"
The narrator and his father travel to Spokane to give an interview with a detective about a lost friend.
"Flight"
(added in 2005 reissue)
"Junior Polatkin's Wild West Show"
(added in 2005 reissue)
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